An important point with sus chords is that we often resolve the suspended 4th to turn the chord into a regular dominant 7th voicing.
We examine some of the most common gospel chord progressions that are used for introductions in churches and for solo piano performance.
We start the lesson by recapping the basic theory behind sus chords and then explore them in context of major and minor 251s
This lesson is designed to deepen your understanding on the application of sus chords (suspended chords) to the 12 bar blues in the key of F.
In this lesson we explore a secret ingredient to Beegie Adair’s captivating solo piano performances; the use of sus chords.
Chord substitutions allow you to add interesting variations to a common progression. We explore tritone subs, suspended chords & passing chords.
In this beginner-focused lesson we explore the beauty and subtlety of sus voicings. We will discuss theory, song application, and useful practice drills and exercises.
In this course we explore gospel chord progressions, hymns, time signatures, introductions, leading tones, holy shout music, and vocal accompaniment.
In this lesson we create a full solo piano arrangement incorporating chord substitutions and reharmonisations and advanced jazz theory.
Joe Zawinul’s ‘Midnight Mood’ is a 24 measure A-B tune. The form is repetitive which creates the opportunity to and add some interesting chord substitutions.
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