While the C section shares some similarities with the B section, it features a distinct ending which is used to bring the song to a close.
In this lesson we learn the 7th chords and spread voicings for the B section of the tune “Tenderly” which spans from bar 9 to bar 16.
In this lesson, we will delve into the jazz ballad “Tenderly” which follows an A-B-A-C form. This song is known for its spacious harmony.
This lesson applies upper structure triads to the tune Tenderly and also discuss ways to add fills and runs in between the chords of this great tune.
Written in the key of Eb Major, Tenderly follows a 32 measure A – B1 – A – B2 form and has an impressionistic character similar to early Debussy.
Understand the intricacies of the tritone relationship and how it can be used to change the colour and flavour of our upper structure triad voicings.
Discover the importance of melody note analysis; an essential skill for reading lead sheets and choosing suitable chord voicings.
Discover the backdoor 2-5-1 progression, a powerful chord substitution option. We explore its role in jazz standards and the 12 bar blues.
I received the questions below from one of our [PianoGroove](https://pianogroove.com/join/) students, and I thought it would be nice to post the answer here on this page. I share a lot of insight from my journey learning jazz piano, and I think you will benefit from reading it… ***Student’s question:*** > I was wondering if you […]
Upper Structure Triads instantly turn your jazz playing from simple-sounding to elegant and sophisticated. We cover drills and exercises for all levels of players.
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