In this lesson we’ll explore 3 distinct turnaround options that you can use at the end of a slow 12-bar blues performance in the key of C.
In this lesson we focus on a III-vi-II-V Gospel turnaround and it’s variations that are well suited to turnaround section of the blues.
In this lesson we apply the I-VI-II-V progression to the turnaround section using a selection of meaty New Orleans style chord voicings.
You will learn how to embellish the turnaround section of the 12 bar blues with blues scale licks using both the major and minor blues.
Typically, being placed on the last 2 bars of the form, the turnaround is used to lead smoothly and convincingly back to the first chord.
In this lesson we will learn how to embellish the turnaround sections with extensions, echoing, inner voices, USTs, arpeggios, & Sus chords.
We examine the slight variations on the A Sections and we will then learn how to connect the A & B Sections together using turnarounds.
In this lesson Jon explores on the turnaround chord progression found at the end of the blues form and shows us ways to expand and embellish it.
Learn the secrets to creating effective intros, endings, and turnarounds. We explore common chord progressions and vamps and apply to a well-known jazz standard.
In this lesson we explore the 1625 turnaround to create a continuous stream of 3 jazz Christmas arrangements in the key of C Major.
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