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Embellishing The Melody

May 17, 2022 By 5 Comments

We take each bar of the A Section and apply licks, fills, and melodic ornamentation that we can use to create a soulful bluesy vibe.

Beginner Stride Piano Lesson

May 17, 2022 By 6 Comments

We create a stride left hand style for “Georgia” and we explore some useful beginner stride piano drills using the harmony of the tune.

How To Play Spread Voicings

May 17, 2022 By 2 Comments

In this lesson we are going to start learning the tune “Georgia On My Mind” using 3-note spread voicings on the A Section of the tune.

Diatonic 7th Chords in F Major

May 17, 2022 By 6 Comments

We play the Diatonic 7th Chords from the F Major Scale. In jazz piano we use 7th chords as the minimum to create jazzy sounding voicings.

‘Georgia’ – Bluesy Stride Course

May 17, 2022 By Leave a Comment

Learn the tune “Georgia On My Mind” in the soulful style of Ray Charles, starting with the most basic arrangement techniques and gradually increasing the complexity.

Tagged With: Georgia, popular, Stride

Beautiful Intro Progression

April 16, 2022 By 8 Comments

We take the diatonic 7th chords and change the chord qualities to dominant which allows us to access more interesting colours & textures.

Tagged With: Misty

G Major 251 Progressions

April 12, 2022 By 3 Comments

We start with the diatonic 7th chords found in the G Major scale and then discuss the different variations of the 251 progression.

“Autumn Leaves” Comping

April 6, 2022 By 5 Comments

This lesson features 3 choruses of comping over the tune Autumn Leaves using a selection of voicing techniques and accompaniment principles.

Tagged With: Autumn Leaves

Funky 8 Bar Blues: The Left Hand

April 5, 2022 By Leave a Comment

When playing the blues we can use rhythm to contrast some of the sweeter and more sophisticated harmonic devices that we are using.

Beefing Up The Bottom End

April 5, 2022 By Leave a Comment

In this lesson Jon looks at the role of the left hand in 8 bar blues and shows how to add interest and movement to the chord progression.

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