12 Bar Blues Passing Chords
In this lesson Jon shows us some passing chords and chord substitutions, outlining ways to add some elements of surprise into the 12 bar blues.
In the lessons up to this point we have been using the simplest form of the 12 bar blues. In this form there are three essential chords – the 1, 4 and 5 – but as we turn up the level of sophistication we can start adding more chords to this basic frame. As we do this we get closer to a New Orleans-style blues.
Re-harmonising the Last 4 Bars
The first change we can make comes in the last 4 bars of the blues form. Instead of playing G7 – F7 – C7 like we have so far, we can change this to D7 – G7 – C7 to make it more like a jazz blues progression. Then, to lead in to this progression we can add an A7 in bar 7 to make the progression A7 – D7 – G7 – C7.
Chromatic Passing Chords
To add even more movement to this progression we can add some more chromatic passing chords that walk down to the A7. In simple terms these chords are C7 – B7 – Bb7 – A7 but it’s much more interesting if we add some flavour to each of these chords.
One way to do this is to play the note G on the top of each chord as we move through them. This adds a lot of interest to each chord and helps to make for a smooth progression. With this added note our chords become C7 – B+7 – Bb13 – A7.
Walking Bass Line For Passing Chords File Type: pdf
Chromatic Passing Chords File Type: pdf
Blues Passing Chords File Type: mp3
Blues Passing Chords File Type: midi