3 Altered Dominant 251 Lines
In this short masterclass we look at 3 different altered dominant lines over a basic 251 cadence.
To keep things simple, we are going to stay in the key of Bb, using F7alt to Bbmaj7 as our cadence. We will then demonstrate each line using the first 8 bars of There Will Never Be Another You.
In these examples we show how you can use basic melodic building blocks such as chord tones, triads and chromaticism to create your own melodies over altered dominant chords.
3 Altered Dominant 251 Lines Lesson Notation File Type: pdf