Barry Harris Voicings Part 2
In this masterclass we are going to dig deeper into Barry Harris voicings. If you’re not familiar with the subject, check out the other 5 minute masterclass on Barry Harris voicings.
We will look at using some alternate major and minor 6th chords to create some different colours in our voicings – for example, over a Cmaj7 we can use a G6 chord to create Barry Harris voicings.
We then take a look at voicings derived from the melodic minor scale and how they can be used in a 2-5-1 situation.
We will also touch on how to use Barry Harris voicings as a way to explain complex chords that are difficult to describe with standard language. Using combinations of a 6th chord and its associated diminished chord we can gain an understanding of voicings that could be otherwise challenging to describe.
Barry Harris Voicings Part 2 Lesson Notation File Type: pdf