An important point with sus chords is that we often resolve the suspended 4th to turn the chord into a regular dominant 7th voicing.
We are going to explore tritone substitution and apply the chosen melody over tritone sub 25s in the song “There Will Never Be Another You”.
In this lesson we will combine quartals and upper structures to create some quartal upper structure voicings that are well suited to a comping setting.
This lesson is a quick analysis and performance of the left hand voicings in the tune “Alone Together” to preare you for the improv tutorials.
This course explores the altered chord tones: b9s, #9s, #11s, and #5s / b13s. We then create upper structure triads and apply to 4 famous jazz standards.
In this tutorial we create a solo arrangement for “Georgia On My Mind” applying the major blues scale with some soulful licks and riffs.
We use lots of extended & altered harmony & also some interesting applications of inner voice movement, drop 2 and pentatonic voicings.
In the previous lesson we mastered the two A sections and we now shift our focus and explore the 8-bar B section of “Autumn Leaves”.
We explore an interesting reharmonisation for the 4th bar of the A section and a common tritone subs for the repeating 3625 progressions.
We arrange the A section of the tune “Misty” with 3-note spread voicings which contain the root, 3rd, 7th, and sometimes the 5th.