Rootless voicings sound more professional than root based 7th chords and they voice lead much more smoothly in a 251 progression.
Tuomo shows us 3 different altered dominant 251 lines and then shows how we can create our own melodies over altered dominant chords.
In this lesson we continue to explore the triad improvisation principle over the major 251 progression and the major 2516 progression.
In this lesson we will create the major 251 progression with a left hand stride and rootless voicings exercise and drill.
Learn the intricacies of the minor 251 progression. We explore voicings and progressions and then apply this theory in context of some well known tunes.
Practicing whole step 251s allows us to clearly visualise and execute sophisticated voicings, fills, and ornamentation for 251 progressions all 12 keys.
The minor 251 progression in the final measures of the bridge is a nice place to add some altered voicings and upper structure triads.
In this lesson, we’re going to introduce some more interesting and exotic sounding scales we can use to solo over the minor blues form.
A seventh chord is a triad which has been extended to include the 7th degree of the scale. This creates a fuller sound than simple 3-note triads.
We explore inner voice movement over major, minor, and dominant chords, and then we will apply this information to a well-known jazz standard.