“Power Chords”, or “Chord tone triads” do not contain the 3rd. Instead we have R-4-5 or R-2-5 which can be used to build quartal harmony & voicings.

When studying music, we often distinguish 3 core components which are rhythm, melody, and harmony. But how are these interrelated?

In this 5 minute masterclass we will explore the key principles for creating elegant, efficient, & ergonomic chord voicings.

In this lesson we create a solo piano arrangement of a
the ballad ‘You Must Believe In Spring’, written by Michel Legrand.

In this masterclass we will explore how you can jump quickly into any Christmas Tune from the Christmas RealBook.

This song was written by Hugh Martin and Ralph Blane and was first introduced by Judy Garland in the movie “Meet Me In St Louis”.

In jazz, Rhythm Changes is a common form. It’s very popular in jam sessions and a crucial part of everyone’s piano repertoire.

In this lesson we’re going to create a solo piano arrangement of an old song ‘Manhattan’, published 1925 and written by Rodgers And Hart.

The roots of the Lyndian Concept can be traced back to Pythagoras who was a musician, mathematician, and philosopher.

This sounds like a complicated subject, but in fact, this is a concept which will help you simplify your view of piano intervals.